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“Music that makes you happy, sad and the rest of it. Music that comes out of this country is jazz,” he said. “He’d roll that Twin out of the studio over to where I was, and I found out what jazz is. The combination of Jaimoe’s Max Roach- and Tony Williams-inspired drumming and Allman’s slide-guitar work and jazz phrasings showed him he had arrived exactly where he wanted to be. Between sessions, Duane Allman would bring his amplifier over to jam. That incident right there.”Īfter two days in Muscle Shoals, in late January 1969, when Jaimoe thought he would be on his way to New York, he had his drums set up in studio B at Fame Recording. That’s what led to the phone call, going down to Alabama. “I didn’t come up in that kind of school. He used to be the one doing the investigating. Some want Phil Bryant investigated for welfare scandal. Roger Redding - Otis’ brother, who had signed on to manage Carter - docked $25 from his wages the first week for “driving costs,” a fee charged to musicians to pay for their transportation from gig to gig.
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But his experience performing with Clarence Carter over the 1968-69 holiday season decided his fate. Some artists treated him well, such as Percy Sledge, who covered all those ancillary costs of touring life. “You know, people get a break, they sell a few records, they start getting paid better, and some of ’em become so knocked out by what’s going on they forget what the hell is going on,” he said. He had his first taste of music-business math - his weekly salary arrived minus deductions for travel, lodging and food - but not his last. While the performances made him a stronger player, the business side wasn’t quite as strong. In 1961, his mother bought him a Slingerland drum kit, and, before long, he was gigging locally at yacht clubs and dance halls along the Mississippi Gulf Coast. Jaimoe did and lasted just four days playing football before returning to the marching band. “I was standing there looking at the football going on, not paying attention, and he goes, ‘Whatcha gonna do?’ He said, ‘Why don’t you go head over there? You’re not doing anything here right now.’” One day, the band director pressed him to choose between sports and music. But he was the only drummer who wasn’t also on the football team. “Mother would give me 50 cents a week to get piano lessons,” Jaimoe remembered, “and I figured out that if I saved that 50 cents a week I could buy myself a drum.”īy the time he advanced to 10th grade at Thirty-Third Avenue High School, an all-black segregated school, he was playing drums in the school marching band. The sound of the drums reverberating off the bricks made a lasting impression. One of his earliest and most pivotal memories was seeing the Keesler Air Force Base drum corps performing on the brick streets in Biloxi. Photo submittedīorn in Ocean Springs in 1944, Jaimoe spent his youth in Mississippi City, a town on the Gulf Coast in what is now Gulfport. Sky Man was famed guitarist Duane Allman, and that fateful meeting was the beginning of The Allman Brothers Band. You’ve never heard anybody play like that.” “I go over there, and just like Jackie told me, you’ve never seen anybody look like he look and play like he play. “I went to the studio and I said, ‘I’m looking for Sky Man.’ He was over in a studio getting ready to do a session. “The next morning when the sun rose, I was getting off the bus in Muscle Shoals,” Jaimoe said.
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He knew he was done with R&B - but something special was happening in Muscle Shoals. Jaimoe had already lived through plenty of highs and lows in the music business by then, after backing legends Otis Redding and Percy Sledge across the United States at venues including Harlem’s Apollo Theater and the Howard Theater in Washington, D.C. Jaimoe Johnie Johnson, or Jaimoe as he’s known to fans today, was on his way to New York to play in the jazz clubs when friend and soul musician Jackie Avery convinced him to stop in Muscle Shoals, Ala. Take advantage of a special 2-for-1 subscription offer and explore a ‘Sip of the South with The ‘Sip’s print edition. For more stories like this or to learn more about The ‘Sip, visit. This story also appears in the current print edition of The ‘Sip, available on racks and by subscription. This story is part of a partnership between Mississippi Today and The ‘Sip Magazine.